Flesh & Blood 2013
Doble & Strong
Amenasalism, 2013, Gloss enamel on chromogenic print mounted on aluminium composite board 178 x 125 cm
Noradrenaline (Norepinephrine), 2013,Gloss enamel on chromogenic print mounted on aluminium composite board 89 x 62 cm
Liposome, 2013, Gloss enamel and Iriodin® on chromogenic print mounted on aluminium composite board 124 x 87 cm
Hippopotamus amphibius, 2013, Gloss enamel on chromogenic print mounted on aluminium composite board 178 x 125 cm
Excitation, 2013, Gloss enamel on chromogenic print mounted on aluminium composite board 124 x 87 cm
Dikaryon, 2013, Gloss enamel and Iriodin® on chromogenic print mounted on aluminium composite board 178 x 125 cm
Cryophyte, 2013, Gloss enamel on chromogenic print mounted on aluminium composite board 89 x 62 cm
Autolysis, 2013, Gloss enamel and Iriodin® on chromogenic print mounted on aluminium composite board 178 x 125 cm
Autoecious, 2013, Gloss enamel and Iriodin® on chromogenic print mounted on aluminium composite board 178 x 125 cm
Transgenesis, 2013, Gloss enamel and Iriodin® on chromogenic print mounted on aluminium composite board 178 x 125 cm
Exhibited
Brenda May Gallery
Date
10 – 28 September 2013
Doble & Strong
The collaborative work of Robert Doble & Simon Strong
Installation
Category
Doble & StrongAbout
Notions of beauty are amongst the most abstract imaginable. In the Western world notions of female beauty are subscribed by measurements, tonality and symmetry. Curvaceous breasts, narrow waist, long legs, protruding lips and nipples. Ample buttocks, but not overly. But these are comparatively recent rulings. A short time ago, in the 1960s, Playboy magazine’s exactitudes were far more plump and curvaceous and in the time of Ruben the flesh was overflowing.